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Theodore Chasseriau
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| 1819-1856 French Theodore Chasseriau Locations 1819?C56, French painter, b. Santo Domingo. He entered Ingres studio at the age of 12; five years later he gained immediate recognition with the exhibition of his Cain, Cursed and Return of the Prodigal. Chass??riau was the only artist of the age who successfully combined Ingres sense of line and Delacroix rich color and vitality and, at the same time, created his own personal style. After his visit to Algeria in the 1840s, he emphasized the exotic, romantic elements in his painting, while still adhering to classical techniques. Among his best-known works are the Two Sisters, Arabian Challenge, and Tepidarium (all: Louvre). His mural decorations for the Cour des Comptes of the Palais d Orsay, Paris, were destroyed except for a few fragments preserved in the Louvre. His untimely death cut short a brilliant career. | ||||
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Two Sisters new20/Theodore Chasseriau-887993.jpg Painting ID:: 57280 |
mk255 for in 1843. 1.80 x 1.35 meters canvas. Paris, the Louvre | ||
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Joaquin Sorolla
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| Spanish Realist/Impressionist Painter, 1863-1923 | ||||
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Two Sisters new21/Joaquin Sorolla-339946.jpg Painting ID:: 61709 |
mk275 1909 Oil on canvas 175 x 115 cm Art Institute of Chicago | ||
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Pierre Auguste Renoir
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| 1848-94 | ||||
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Two Sisters new24/Pierre Auguste Renoir-775777.jpg Painting ID:: 73229 |
oil on canvas, by the French painter Pierre-Auguste Renoir. 39 9/16 in. x 37 7/8 in cyf | ||
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James Tissot
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| French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume. | ||||
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Two Sisters new24/James Tissot-369869.jpg Painting ID:: 81707 |
Date 1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cjr | ||
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James Jacques Joseph Tissot
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| (15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris. | ||||
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Two Sisters new25/James Jacques Joseph Tissot-779386.jpg Painting ID:: 85644 |
1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cyf | ||
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